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Marta Tomczok's monograph is not only the first such collection of post-Holocaust postmodern novels, but also the first comprehensive study of postmodernism in the literature about the Holocaust, which, thanks to comparative analysis, tries to analyze and explain the circumstances of the appearance and later disappearance of this trend from cultural landscape of the world and Poland. Curiosity about the fate of postmodernism combined with interest in the fate of novels about the Holocaust as a chance to explain the common failures of postmodernism and the complicated history of postmodern post-Holocaust prose
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