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Two infants lie in their cradles in a Missouri slaveholding household. Both appear white, but the law assigns them radically different futures: one will inherit privilege, while the other can be bought and sold.
Roxy, an enslaved woman, knows that her infant son's resemblance to his master's child offers no protection against slavery. Terrified that he might someday be sold down the river, she secretly exchanges the babies. Her decision gives her son the security of a wealthy white family-and condemns the other child to the life she is desperate to help her own escape.
As the boys grow up in Dawson's Landing, the identities accepted by their neighbors shape their treatment, expectations, and opportunities. Behind the town's confidence in ancestry and respectability lies a secret that exposes the cruelty of its racial distinctions. Roxy must live with the consequences of her choice in a society where maternal love carries no guarantee of protection.
Meanwhile, David Wilson, a young lawyer dismissed by the townspeople as a fool and nicknamed "Pudd'nhead," pursues an unusual interest in fingerprints. What his neighbors regard as an eccentric pastime becomes crucial when a murder brings suspicion and competing explanations into the courtroom. The man they have underestimated may be better equipped than anyone to distinguish appearances from evidence.
Twain brings small-town comedy, bitter social satire, and a murder mystery into uneasy contact. The humor sharpens the danger: casual judgments can determine a person's reputation, while the law gives devastating force to distinctions that the eye cannot detect. The investigation raises questions that reach beyond the identification of a criminal to the meaning of identity in a community built on slavery.
First published in book form in 1894, Pudd'nhead Wilson offers readers a compact, unsettling combination of switched identities, family secrets, and courtroom suspense. At its center is a mother's desperate attempt to secure her child's freedom-and a town whose certainty about who people are rests on far less than it imagines.
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